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Film Pieces


NEW YORK, NEW YORK: FILMS SELECTED BY THE NEW YORK FILM CRITICS CIRCLE
February 23-March 31, 2002

Year's Best Not All That Great
The New York Post, December 27, 2001

But the Worst Are Majestically Bad
The New York Post, December 27, 2001

Secrets to Their Excess - Awash in Hype, the Oscars prove that when it comes to show business, marketing is King
The New York Post, February 11, 2001

Big Bad Brits and Other Myths
The National Review, April 20, 1998

Movie Interviews

Altman's Rx For Hollywood
The New York Post, October 8, 2000

The Last of the Gonzo Filmmakers
The New York Post, April 5, 2000

Howard's Beginnings -- Interview with Ron Howard
The New York Post, March 25, 1999

Samuel L. Jackson Shoots From The Hip--- Madison Magazine, Jul/Aug 2000
Edie Falco --- Daily Telegraph Magazine July 13, 2002
Ang Lee & James Schamus -- Talk Oscar Supplement 2001

Essays

Mastering the Seas -- Hollywood does justice to Patrick O'Brian's naval saga
The Weekly Standard, November 24, 2003

Scorsese's film portrays racist mass murderers as victims -- In seeking to turn Irish-American gang members into PC modern heroes, Gangs of New York glosses over the suffering of blacks, argues Jonathan Foreman
The Daily Telegraph, January 15, 2003

The Empire Strikes Back -- Victorian Virtues, Hollywood Vices (The Weekly Standard 10/14/02)

Both the new movie The Four Feathers and the reaction to it exemplify contemporary attitudes to Anglo-Saxon imperialism and the Victorians who practiced it. The film itself -- the sixth cinematic version of the A.E.W. Mason novel first published in 1902 -- is a failure as motion picture entertainment: visually stunning but dramatically weak and thematically confused. Its failure suggests that the British imperial epic is one epic that cannot be resuscitated as Gladiator did the sword-and-sandal flick...